This Kind of Silence Can Speak

River 1a

The view from our deck.

Recently I was lucky enough to go away for a weekend with two of my best writing buddies. During that weekend I found a renewed appreciation for peace and quiet: that lovely void where the only sounds are the characters in my head, and the dancing of fingers on a keyboard. During the day-to-day madness of a hectic life, it can be difficult to find that quiet place and time where the words flow smoothly. I found this passage from Beryl Markham, a personal heroine of mine (among other accomplishments, she was a writer, aviatrix and she survived being attacked by a lion – quite a lady!). I like to read it when I need to find that moment of silence.

River 2

Another river view.

There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt.

There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows.

It is a soundless echo.

-Beryl Markham

What do you do when you need to find your moment of silence?

Guest blogging today on Romance University

lips_THEME-320x250What? Me, a Professor? Okay not really. But I am a guest blogger today on Romance University. My post, How to Write Sex Scenes If You’re a Prude Like Me, is up and running! Hope you’ll stop by and say hello.

Next Tuesday, January 22, I will officially re-start my own weekly blog with a post about the word that will define 2013 for me. See you then!

My First Post with the Rockville 8

Okay, it’s true: I haven’t worked on my own blog in a dog’s age (whatever that means). But I haven’t been completely idle! Today I am proud to announce that I’m officially a member of the wonderful Rockville 8 blog.

R8 header My debut post, One Writer’s Tale of Self Publishing and Free Giveaways is now live and ready for readin’! The post shares the results of my free giveaways with Amazon’s KDP Select program, and it also talks about promotion. Whether you’re already a fan of the lovely Rockville 8, or if this is the first you’ve heard of them, I hope you’ll stop by and say hello.

Two Exciting Announcements! And yes, I’m planning to revive my own blog later this month! I’m looking forward to getting back in the groove and re-joining the writing parade! I’ll keep you posted on my progress (pun totally intended).

Have a great week!

Characterization: Every Villain a Hero, Part 2

Last week we talked about how villains can be constructed along the same line as heroes.  (See part 1.)  Goals and motivations are just as important for bad guys as for good guys – maybe even more important.  So, now we know what evil deeds the evil-doers are trying to do…evilly.  And we have a grasp on their motivations (evil though they may be!).  What else is there?

BACKGROUND

The villain’s background often ties in closely with his or her motivation.  This doesn’t necessarily mean that all bad guys have to have some childhood trauma in their past (which is an interesting but overused theme).  But take a man born to privilege, whose riches are cruelly stolen away…might he not turn to crime and bad-guy-ery to regain that which he lost?  Just a thought!

Rene Belloq (Indiana Jones’s nemesis in Raiders of the Lost Ark) – His motivations are unclear, although we do get the idea that he was brought up in a state of privilege.  Remember how he laughingly refered to the spirits he and Marion were drinking as “my family label”?  This again supports a motivation of pride, since a man like that could easily feel that the world and its riches were his for the taking.

Darth Vader (who needs no introduction!) – In the original Star Wars trilogy we don’t get a good taste for Vader’s background, except to know that he was Ben Kenobi’s apprentice until he was seduced by the power of the Dark Side.  In the prequel trilogy, we find out that as a young man he was intelligent and capable, yet filled with pain and anger at the death of his mother.

Hannibal Lecter (the penultimate villain) – When he was a child, he and his sister Mischa were happy and inseparable…until World War II brought the deaths of their parents, the occupation of their family estate by cruel and starving soldiers, and the brutal death of little Mischa.  This is a classic example of background playing into motivation and goals.  (Although it bears repeating that authors should play the “childhood trauma” card with extreme caution, as it’s been used to near-cliche status in the past few years.)

REDEEMING TRAITS

Just as a well-rounded hero should have a few faults, a well-rounded villain should have some redeeming – if not endearing – traits.

Belloq – Aside from that snazzy linen suit, Rene Belloq also possessed a sense of humor and a love of antiquities.  More importantly, he had a soft spot for Marion Ravenwood.  And mutual admiration/affection (in other words, our villain likes/admires someone that the audience also likes/admires) can be a truly endearing trait.

Vader – Until Return of the Jedi, Darth Vader seemed to have no redeeming traits whatsoever.  But then we saw him kill the Emperor to save Luke, our hero.  And afterwards, when he said to Luke, “You were right about me.  Tell your sister, you were right,” we saw that he did have a redeeming trait, and it was love.

Lecter – First thing that comes to mind is this sentence: “I’m having an old friend for dinner”  A sense of humor is Hannibal Lecter’s greatest redeeming trait.  That and, of course, the fact that some of the people he killed were jerks. “Mutual enemies” can be as endearing a trait as mutual affection.  And that brings us to….

GREATER EVIL (THE “BIG BAD”)

Introducing a Greater Evil into your story is a tried-and-true method for giving your villain more depth.  We think that the villain is the greatest evil in our story-universe, but then we introduce the super-villain, and we see that the villain is just the Little Bad – the super-villain is the Big Bad.  Sometimes the hero and villain have to work together to fight the Big Bad, and that always a produces a fascinating dynamic!

Belloq – Although Belloq was a thorn in Indy’s side and a real threat to both his life and his mission, there was a bigger bad than Belloq: the Nazis.  Whereas Belloq’s motives were pride and greed, the Nazis soldiers’ motives were pure evil, and they were the true villains of that piece!

Vader – Although Darth Vader was the villain of Star Wars (or for the sticklers: Episode IV, A New Hope), during both Empire and Jedi we saw that he was mostly the evil enforcer for the Big Bad – the Emperor.

Lecter – In Hannibal, the Big Bad was really Mason Verger.  After all, Lecter may have been a cannibalistic serial killer, but Verger was a pedophile – and there is really nothing more evil than that.

It’s interesting to note that in the latter two examples above, the villain was responsible for the death of the Big Bad.  Darth Vader killed the Emperor, of course.  And in both the book and movie versions of Hannibal, Lecter convinced someone close to Verger to murder him. In a way, those villains were heroes – at least to the extent that their evil acts benefited the greater good.  Even Belloq was partly responsible for the death of the Nazis, since his pride convinced him that he could control the power of the Ark.

SUMMARY

A well-crafted villain is one of the most entertaining aspects of fiction.  Remembering that the villain really thinks of himself or herself as a hero, and addressing their actions from the direction of “why is this right?” can help us to create villains who are realistic and memorable.  And after all, don’t our heroes deserve great adversaries?
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Do you have a favorite fictional villain?  What are his or her most redeeming traits?

Read more about writing:
Characterization: Every Villain a Hero, Part 1
See all of Misha’s writing blogs.

Characterization: Every Villain a Hero, Part 1

There’s an old saying in fiction: every villain is the hero of his own story. I think Willem Dafoe summed it up perfectly when an interviewer asked him whether he preferred to play good guys or bad guys. “Don’t make no difference,” he answered. “Everybody thinks they’re righteous.”

And so it seems like we can take the same elements that we would apply to developing a hero and use it with a villain.  In fact, that kind of sounds like fun!  Why don’t we do that with three of my favorite movie villains:

Rene Belloq from Raiders of The Lost Ark (the evil archaeologist).  He was unscrupulous, mean-spirited and greedy…but he sure could wear the heck out of a white linen suit!

Darth Vader from Star Wars (and I mean the original trilogy, of course!).  He was evil personified, scary-powerful and without mercy…and then we found out he actually had a gooey center of fatherly affection hidden under all those spare parts!

Hannibal Lecter, the penultimate villain, the cannibalistic serial killer that we all love to hate (or hate to love, as the case may be)!  In this case, let’s look at the Lecter that we saw/read about in Hannibal, the final installment of Thomas Harris’s trilogy, since it’s in that story that he’s really the main villain, not just a fascinating secondary character.

GOALS

Heroes, villains, and supporting characters all want something.  Whether it’s to save the world (or in this case, try to take over the world) or to pick up the dry cleaning on time (or in this case…er…try to take over the world).

Belloq – In Raiders, Belloq’s primary goals seem to be: 1) To discover and sell archaeological treasures.  2) To best Indiana Jones.  Who can forget the line: “And so we see once again Indy, there is nothing that you can possess that I cannot take away”?  Mmmm!  I still get shivers!

Vader – To crush the Rebel Alliance.  (He’s nothing if not straightforward about that!)

Lecter - When Hannibal opens, Lecter is in Florence and his goal is to make a success of his new position as curator of the Capponi Library (and presumably to pare down the more boorish faction of the board of directors!).  As the movie progresses his goal becomes to avoid the people who are trying to capture him and to “reunite” with Clarice Starling.

MOTIVATION

Underneath the goal (the thing that’s being pursued and fought for) lies the motivation – the driving force behind both the goal itself and the actions that further it.

Belloq – The first thing that comes to mind as Belloq’s motive is pride.  He wants to be the one to open the Ark of the Covenant.  He wants to conduct the ritual.  It’s not so much a love of history and relics that drives him, it’s the reflected glory that he feels.

Vader – The power of the Dark Side - and his own anger/fear, which is what left him open to seduction by the Dark Side in the first place.

Lecter – The idea of remaking the world into his own twisted vision: a paradoxical vision filled both with horrific acts of violence and works of immense beauty.  The cellist in the local symphony lacks talent? Eliminate him so that a more gifted musician can take his place.  Pride also comes into play here, because Lecter’s intelligence and self-control makes him almost godlike, at least in his own mind.
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NEXT WEEK: Part 2 – What makes your villains more heroic (at least in their own minds)?

In the meantime, who are your favorite fictional villains?

Stages of a Writers Career, Part 3: Published and Promoting

And so not only have you finished your first novel, you have actually published it – whether on your own, or with a publisher. Wow, those are both huge accomplishments.  Now all that’s left for you to do is to sell your work to the reading public!

Um, er, and how does one do that, exactly?

Part 3: Promoting Your Book

Challenges - Well for starters, there are the two biggies: time and money.  Effective promotion can cost a lot, both in hours and in dollars.  And how do you know if what you’re investing in will pay off in book sales?

There’s also, again, the issue of volume.  There are a lot of writers trying to sell a lot of books.  If your particular book isn’t on the front racks of Barnes & Noble, how are readers going to find you?

Helpful Hints - Most of these ideas I got from talking to other writers, and if you’re feeling lost, other writers are always a good place to start.  Bounce ideas off each other – chances are, you have tried some things that others haven’t, and vice versa!  And in the meantime, here are a few other things you can consider:

Find your brand.  You may have heard this before.  But what does it mean? Well, the simplest definition is this: it’s your identity as a writer.  Your brand is intimately tied to the genre in which you write.  And no gender-bias intended, but this appears to be much more important for female writers than it is for male.  Men tend to be “horror novelists,” or “science fiction authors.”  Their name and writing style itself tends to become their brand.  Not so for women.  We may be “horror novelists” and “sci fi authors,” but for some reason we have to code ourselves as “romantic thriller writers,” or “paranormal authors.”  Why is this? Your guess is as good as mine!  (And if you think that this is a bogus observation, feel free to discard it.) 

You can get a good idea of how writers are branding themselves by checking out their websites.  For example, the following brands are evident on the websites of these bestselling authors: Brenda Novak – “Sophisticated, evocative romantic suspense.”  Debbie Macomber – “Wherever you are, Debbie brings you home.” We could probably do a whole blog about this subject in an of itself.  But the bottom line is, finding your personal brand will help your readers identify with you, and that will make them more likely to want to buy your books.

Explore the Internet.  Ah, the majestic power of the mighty Interweb!  Where would we be without it? (Back in 1989, I guess!)  Explore the Internet and find where readers are hanging out, and where writers are meeting up with them and getting to know their public.  Facebook, Goodreads, Kindleboards, Amazon discussion threads are all good places to start.  Remember to be friendly and polite: readers respond better to writers who aren’t only trying to hock their wares.  Learn the etiquette of whatever website you find, and you could find your public, ravenous for your books!

Figure out what works for you.  Promotion can take hours and hours and cost lots of money.  Don’t try to be everywhere and do everything.  Take it slow, see what’s out there, and figure out what will work for your time and budget.

If you like, you can start by telling us, here on this blog, a little about your book!

Read more about writing:
Stages of a Writers Career, Part 2: Publishing for the First Time
Stages of a Writers Career, Part 1: Finishing Your First Novel
See all of Misha’s writing blogs.

Stages of a Writer’s Career, Part 2: Publishing for the First Time

Okay, so you’ve finished your first novel (or your first big writing project).  Before we go any further, let me say: congratulations!  Just think about how many years you spent thinking, “If I could just finish that first book….”  And now you’ve done it! 

So what’s next?

Part 2: Publishing (or Getting Published) for the First Time

Challenges – Few things in life are as challenging as trying getting published. The frustrations are many, and the victories are few and far between. First, there’s the sheer volume of competition. Trying to land a major book deal is kind of like shooting an arrow at an apple from a mile away, while 5000 other people are aiming for the same apple!

There’s also the “time factor.” Some agents and publishers will take six months to a year to respond to your initial query. If they request the manuscript, it could be another six months to a year before you hear back. And if you’re offered a contract, it will likely be a year or more before your book goes into print (and before you get the final installment of your advance, if you’ve been offered one).

Helpful hints – Well, I’ve painted kind of a dark picture, here, but please don’t despair! There are a few tried-and-true things that writers can do to ease the journey along the road to publication:

Name your genre. This can be difficult for many writers. It was for me! After all, your work is unique, and many books don’t fit into a neat little genre box. But imagine this: You’re selling a car. A prospective customer asks, “What kind of car is it?” If you say, “It’s difficult to describe,” you’ve probably lost your sale. If you say, “It’s a four-door sedan,” you have a much better chance of moving that baby! And it’s the same for readers, publishers and agents. They want to know what it is they’re buying. So study up on genres, find one that seems to fit your work, and then go with it.

And if you’re having trouble figuring out which genre is right for your work, pick a book that is similar to yours and look it up on Amazon to see in which category it’s listed. That will at least give you a place to start.

Work out your “blurb.” There are two ways that writers use the word “blurb.” One is short review that can be used to promote the book. (As in, “I’m so excited! Stephen King gave me a blurb!”) And the other way refers to a short, gripping description of your story. It’s what which will appear in your query letter. It is usually two or three paragraphs. It describes your story, draws in your readers, gives publishers and agents a sample of your writing skill. Read the backs of DVD cases and books to get an idea of how the pros do it, and work your blurb until it’s perfect!

Get your manuscript edited and/or proofread. Unfortunately, yes, this does cost money. A professional editor may charge anywhere from one to three dollars per page (sometimes more). But having a set of experienced, impartial eyes look over our work can prove to be invaluable. Trying to judge which chapters to cut can be like asking yourself which of your fingers you’re willing to do without. You want your manuscript to be as tight, as professional and as ready for the presses as possible!

In later blogs we can talk more about genres and about publishing options for writers.
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Do you have any stories (be they mystery, comedy, or horror) about getting published?

The Stages of a Writer’s Career, Part 1: Finishing Your First Novel

Well, my writing blog has been on hiatus for the past few weeks, and now that it’s back I thought it might be fun to take a broad look at the life and career of a novelist.  Just like any other career path, writing has certain stages of evolution – rungs on the ladder to fame and fortune (or so I keep telling myself!).  The following isn’t based on any scholarly work or expert opinion, it’s just a few observations of myself and others.  I hope you find it helpful!

Stage One: Finishing Your First Novel

Deciding to be a novelist is a little bit like saying, “I want to be a mountain climber,” and then running right out to tackle Mount Everest!  There isn’t a lot of middle ground.  We don’t usually say, “I want to be a mountain climber; I think I’ll start with that hill over there!”  No, typically we say, “I want to be a novelist,” and then sit down and attempt to churn out a 300,000 word volume of painfully personal material, trying to make it both entertaining and literary.  Or maybe that was just me.

So where does that leave us?

Challenges – One of the biggest challenge that I’ve found with trying to be a writer is that no one can really teach us how to do it.  I mean, we can (and should!) learn grammar and punctuation, story structure and characterization, how to phrase action scenes and how to handle exposition.  But the truth is we don’t know how to write until we actually sit down and do it – and do it a lot.

Another challenge is that when we first start to write we don’t know if we’re any good.  Writing can be a fairly painful exercise.  What if we’re terrible at it?  What if all this suffering is for nothing?

And last but not least is the subject of motivation.  It can be very difficult to stay motivated, to push through the rough parts of your book – the parts you don’t want to write – and keep working at it.

Helpful Hints – When it comes to writing, there are no easy answers, no cure-alls, no tube of magic cream that says “apply to forehead and become a genius writer!”  (And believe me, I’ve looked!)  But there are a couple things that you may find helpful:

Learn your craft.  Okay, it may seem like I’m contradicting myself here!  Didn’t I just say “no one can teach you how to do it”?  Yes, it’s true, I did.  However, what I have found time and time again is this: knowing your craft will give you something to fall back on when the writing gets hard.  Or when your muse has gone off to play someplace else, leaving you bereft and alone at the keyboard, staring at an unmoving cursor.  So buy some books, take some workshops, find some good writing blogs (ahem!), etc.  Learn your craft and write, write, write.  You’ll be happy that you did.

Figure out where and when you write best.  Every artist is different.  Our work looks, sounds, and reads differently from one another.  It makes sense that our production habits will be as unique as we are.  Personally, I write best either in a busy public place or sitting in the big chair in my living room.  A friend of mine can’t write in a coffee shop, but she can write while watching TV, which is something I’ve never been able to do (and yes in case you’re wondering, I am totally jealous of her!).  So don’t think that you have to chain yourself to your desk; maybe you need to chain yourself to a lawn chair, or lie on the floor of your dining room.  What works for you? Wherever you’re happiest writing is probably the place where you’re going to get the most work done.

Find a writing buddy.  When I was trying to finish my first novel, the thing that saved me was having a “writing buddy.”  Somebody to crack the metaphoric whip and ask me, “Where are your new pages?” on a weekly basis.  It’s interesting how much can be accomplished when someone’s demanding it!  So consider finding a writing buddy, or an accountability partner, or a critique group.  This may not work for everybody, but give it a try and see if it helps.

Next week we’ll look at Stage Two: Trying to get published for the first time!
(See more of Misha’s writing blogs.)

What kind of challenges are you facing (or did you face) in finishing your first book?

How to Help Your Child Discover His or Her "Inner Writer"

We’ve all heard young people say, “I want to be a writer!” And we’ve all cringed a little when they’ve said it. After all, we know how hard it is to make a living as an artist. So how can we support their ambitions, knowing that disappointment might lurk around every corner? And how can we help nurture their creative instinct without crushing their artistic spirit?

It was probably about fifteen years ago that I first started coaching young writers. I still remember their earnest efforts at storytelling, their frustration when they couldn’t quite paint pictures with their words the way they’d wanted to, their elation when it came out right. I remember it well, because it so perfectly mirrored the ups and downs of my own writing. I drew on my memories of being a young writer and helped the children in my care to cultivate their natural talents. And in helping the children to tell their stories, I learned a lot about how to tell my own.

So when parents come to me and ask me how they can help their children develop their writing gifts, there are a few things that I usually suggest:

Encourage your children to read – a lot! Reading has a multitude of benefits for young writers. It builds vocabulary, first and foremost. It also gives one an eye for plot, story structure, dialogue, all the elements of good fiction. And don’t worry if what your child is reading seems simplistic or “below their reading level.” Help to pinpoint what he or she can read easily and with enjoyment, then stand back and watch the pages fly!

Encourage your children to write – a lot! Did your son just make up a funny joke (or even not so funny)? Suggest he write it down. Did your daughter tell you a story about a unicorn who jumped through her bedroom window and started dancing around the room? By all means, hand her some paper and a pen! Whether they’re writing letters to grandma, creating fan fiction for their favorite movie, or chipping away at their twelve-volume masterwork, writers of all ages do one thing: they write. And here’s some inside info: they don’t have to finish everything they start! Every writer has a sock drawer full of half-finished projects. It’s just part of the process. So encourage your children to write, and don’t stress over whether or not they finish everything.

Which brings me to my next point….

Never criticize. When I write that, I’m not simply saying, “don’t say anything mean,” because of course you wouldn’t intentionally insult your child. What I’m saying is, “Don’t say anything negative. Ever.” This can be a tough one for parents, which is understandable. The nurturing instinct makes you want to hover, bite your nails, and offer helpful corrections and suggestions. And if you’re looking at a school project, of course you must help monitor the quality of your child’s work. But when it comes to creative writing, my advice is this: never ever criticize.

Why? Well for one thing, there are few things on earth more fragile than the creative spirit. You’d be amazed at how easy it is to crush a burgeoning artistic impulse. A well-intentioned but careless comment from you could easily put your children off writing for quite some time. For another thing, if your children decide to pursue a career in writing, there will unfortunately be many people who will take their work and tear it down, deconstruct it and pick it apart. It’s a less-than-lovely aspect of the business that we all have to deal with at one time or another. So from Mom, Dad, teacher, etc., they should get only praise and encouragement.

If you’re worried that giving nonstop praise will make them conceited, or set them up for disappointment down the road, my advice is not to be too concerned about that. Yes, disappointment is inevitable. But the best way to overcome that is just to encourage them to keep writing. The more they write, the better at it they’ll become, and the fewer disappointments they’ll encounter. As for being conceited, well, every great venture requires a certain measure of conceit on the part of the “venturer.” Help them to build pride and even a touch of vanity in their work; chances are, no matter how big their heads get, they’ll still be able to fit through the door!

Well, this is a subject about which I would happily write volumes, and in fact I talk at length about these suggestions and more in my workshop, Helping Your Child Find the “Inner Writer.” There are few things in life more gratifying than helping a child to achieve satisfaction and gain a sense of accomplishment and of his or her own self-worth. Do you have a story you’d like to share or a question you’d like to ask about working with young writers?

This blog was originally published on the Vanilla Heart Publishing Authors’ Blog.  For helpful and down-to-earth advice on writing, please check out their blog today! 

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Setting, Part 1: What Is It, Why Should It Matter, and How Can You Start Using It?

When I first undertook the subject of Setting, I thought I’d blow through it in one blog.  Six hundred words, subject covered.  No sweat, right?  Um, wrong. 

As I began to write about Setting, as I started to think about it and distill my thoughts into semi-intelligible sentences, I started coming to more deep and complete understanding of the subject.  The more I wrote, the more I understood.  And the more I understood, the more I wanted to write!  So then I thought I’d split the subject into two parts: the mechanics of setting, and the subtler side of setting.  Twelve hundred words, subject covered, right?  Um, again – wrong!

So I now have three parts, and it’s still growing!  I’ve stopped counting words and I have no idea when (or if) the subject of setting will ever be exhausted.  And if nothing else, I’m learning a lot by writing these blogs!  I hope that someone else finds some good in them, too.

Step 1: Where and When

Setting is vital element of writing. But what exactly is setting, and how can you use it to enhance the story you’re trying to tell?

In breaking down the subject of setting, we can see that the absolute bottom-line, nitty-gritty of it is WHERE and WHEN. Where and when does your story take place?

Of course it’s easy to see how this matters if you’re writing a World War 2 epic, or a science fiction novel: the 1940s in London is a heck of a lot different than 3010 on the moons of Jupiter. But it also matters when you’re writing any modern day novel, whether it’s romance, mystery, thriller, etc., because the where and when will effect many aspects of your story and your characters.

Some examples:

  • F. Paul Wilson sets his Repairman Jack novels in modern-day New York.
  • Holly Jacobs sets many of her romance novels in the fictional town of Whedon, Pennsylvania.
  • James Ellroy set his LA Crime novels in mid-20th Century Los Angeles.

In each of these cases the where and when affects the who and what – the setting affects the characters and the plotline. It doesn’t necessarily dictate plot or create the characters for you, but it definitely does have an effect on both (we’ll go in-depth on this subject in a later blog!).

For a quick example, imagine a single woman raising a child on her own. Whether she lives in 1629, 1993 or 3010 will make a difference in her parenting style and the set of obstacles she has to face, not to mention the entire concept of her own identity as a human being, and her concept of the identity of her child.

So, WHERE and WHEN does your story take place?

Step 2: Make it Realistic

Research, research, research. If you are writing about a place and time that is unfamiliar to you, make sure you do your homework! My second novel, Still Waters, is set in the mid-1950s in Arlington, Virginia. I was very familiar with the place, but – aside from many years of watching Hitchcock films – not too familiar with the time period.

To research the period, I spent hours in the library, reading newspapers from the months during which my novel was set. I also found a 1950s map of the area and was able to identify what some of the streets were called at that time. I didn’t use all of this information in the book, of course, but it made it easier for me to set my mind to that place in that time.

And here’s a hint: you can often find newspapers going back to the 19th Century. One of my local papers has been around since the early 1800s, and has back issues on microfiche that go way back to the beginning!

Confirm, confirm, confirm. There are always tiny details of life in various eras that can’t be found in books. And the danger of writing about any place or time outside of our experience is that our conceptions are shaped very much by movies and books, which may or may not be accurate. Hopefully your rolodex (or Facebook friend list) includes one or more people who have education about or experience with your chosen time and place. Ask them questions while you’re writing, and/or have them read your manuscript when it’s finished. Tell them to cast their expert eye on the details and confirm that you haven’t written anything too embarrassingly wrong!

Relax, relax, relax. There is only so much you can do to make a time period accurate, and the primary jobs of a fiction writer are to create an emotional connection with the reader, and tell a good story. You can kill yourself – and your story, for that matter – by becoming obsessed over the details. Make it as accurate as possible, and then just relax, knowing that you’ve done the best you can.

Setting should serve your story, not the other way around. (Unless you’re James Michener, of course, but that’s a whole other blog!)
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What settings do you enjoy when you’re reading a book or watching a movie?

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